Margo, refined and mysterious outcall company in Oud-Zuid

Contemporary art first drew Margo to the Stedelijk, and she has kept going back ever since, usually late on a weekday when the galleries are hushed and she can stand before one canvas for twenty minutes without anyone wondering why. She likes work that refuses to explain itself. Perhaps that is why she is so comfortable being a little mysterious herself. There is nothing loud about her appearance either. Dark brown hair falls long and straight, brown eyes give away exactly as much as she chooses, and her frame is slim and 166 cm tall. She is thirty-one and entirely at ease in her own quiet.

Her style is vintage-inspired lounge elegance, the look of a warm-lit bar with a record turning low: black lace, a fine harness detail, heels chosen with care. Refinement is not a pose for her; it is simply how she lives. Piano is where she goes to think. She plays for herself, slow pieces full of long pauses, and speaks about composers with the same calm intensity she brings to a painting. Gardening keeps her grounded, and ferns and pale roses fill her weekends. Gallery lovers with a louder style might also enjoy Angelika, whose opinions on a canvas arrive at full volume.

Her drives begin in Oud-Zuid, and she enjoys the route down the tree-lined avenues of the south, windows open in summer, the city mirrored in the glass in winter. Time with Margo is priced from €180 per hour; longer evenings are laid out on the rates page. Her English is low and measured, with a dry humour that surfaces exactly when you least expect it. Once she is through your door the phone stays in her bag and the clock on the wall stops mattering to either of you. When she arrives, expect a calm that lingers in the room long after her tail lights have turned the corner.